Step 1 - Scan your black and white lineart. Convert to Greyscale by going to IMAGE - MODE - GRAYSCALE. With default colours set on black (foreground) and white (background) go to SELECT - COLOR RANGE. A pop-up window gives you selection options. Black is automatically selected as the default sampled colour, and your FUZZINESS should be at the far right (which for me is 200).
around all of your black areas. Without deselecting your art create a new layer by clicking the NEW LAYER icon in your LAYERS PALETTE. Fill your selection with black by going to EDIT - FILL and choosing your foreground colour (PC shortcut is Alt-Delete). Don't deselect just yet. Go back up to SELECT menu and choose MODIFY - CONTRACT. Contract your selection by one pixel, create another new layer and fill that layer selection with a colour you won't likely use in your art. I chose a medium grey. Now you've got three layers; your original background lineart, lineart in grey (or chosen colour) and top layer of black and white lineart.
for your favourite tools just to save you time.
Hot Tip - I create shadow and highlight colours by altering the COLOR sliders in the COLOR PALETTE. Beside each slider is a number value. I change those values by adding or subtracting 20-30 to my current value. For example: Wonder Woman's skin tone in CMYK is C- 12 M- 46 Y- 62 K- 0 . For a highlight I change the number values to read C- 0 M- 16 Y- 32 K- 0 .
I was always told not to use black in your colour. It's a good rule for painting and equally good for computer colour. Black tends to dull your values and dull colour is not desireable!
Once I've got all my colour areas filled in I start highlighting or shadowing using my light source (the fire) as a guide. Using the MAGIC WAND I'll select a colour area, fill it with a more appropriate colour...say a highlight...then with my brush tool I'll cut in shapes of darker colour. My current technique is to use the solid brush as a circle and increase or decrease its size until it fits exactly the shape I want for my darker colour area.
And that's it! Honest. I usually end up adjusting colours once I'm done. The background of the final image was lightened by using the IMAGE - ADJUSTMENTS - HUE/SATURATION sliders. I use that pretty regularly when I'm not sure of a colour choice. It's a nice quick way to play around with colours without having to hit UNDO after every change.
A final Cool Tip - CTRL H hides the marching ants around a selected area. I use that a lot because I find the "ants" distracting when colouring. And here's the final image. I hope the tutorial was helpful to those of you who asked for it! Feel free to ask questions if anythings not clear or if you want further explanation. This is already a long post so I'll save the halftone screen explanation for another day.
j.




best,





























Okay, now that you're awake, I should explain who these characters are...that's Brian as a Dr.Strange occult-type hyp-motizing you...and then there's me as an almost invisible grey ghost-type. Brian wrote the fun board game in the March Issue of Owl magazine and I drew it. There's also some terrific artwork by Michael Cho and Claude Bordeleau! Check it all out!











